Bite-size Review: The Blinkards | Kobina Sekyi

AFRIKULT.’S OVERALL RATING: 

The Blinkards | Kobina Sekyi

Hahahahaha- chuckles and elating guffaws is what best characterizes this brilliant piece of comedy. The Blinkards by Sekyi Kobina afflicts the reader with fits of unbridled laughter intermittent by painful episodes of tearful revelations. The play satirizes the damaging influence of western culture on African societies.  Continue reading “Bite-size Review: The Blinkards | Kobina Sekyi”

Bite-size Review: Devil on the Cross | Ngũgĩ wa Thiong’o

AFRIKULT.’S OVERALL RATING: 

Devil on the Cross | Ngũgĩ wa Thiong’o

This novel is extraordinarily unique for various reasons, the first being how it actually came into existence. Ngũgĩ wa Thiong’o wrote it in his mother tongue Gîkũyũ, on toilet paper during his imprisonment in 1977-78, (he later translated it into the English). Another reason is the way in which African oral tradition is entwined within the text reflecting its initial Gîkũyũ origins but also adding to its creativity and style. Furthermore and perhaps the most controversial aspect of this novel is the depth of its satirical criticism of the neo-colonial stage of imperialism, and the abundance of allegorical facets. Capitalism and greed become personified as characters who proudly claim that ‘Business is my temple, and money is my god’. Continue reading “Bite-size Review: Devil on the Cross | Ngũgĩ wa Thiong’o”