William Du Bois is a poet, performer and the lead member of Trotro Vibes, a group of performers who ‘bring art to the everyday people’. In fact, the artists’ mobile performance of songs and poetry is inspired by Ghana’s most used public transportation: Trotro. Their aim is to educate, inform, advocate and entertain commuters who use this mean of transportation.
We’ve reached the last day of 2017, and what a year it has been! There have been some amazing titles to come out this year and we are looking forward to adding more exciting titles to our shelves in 2018. We have had a chance to reflect on 2017 and wanted to share our top five highlights of the year. Continue reading “Top 5 Highlights of 2017”
If you’re fan of Buchi Emecheta or just getting to know the pioneering novelist’s work, we want to hear from you! Afrikult. is running an exclusive competition for the forthcoming Celebrating Buchi Emecheta event on Saturday 3rd February 2018 – an all-day celebration of the life and work of the acclaimed Nigerian novelist, who passed away in January 2017. Continue reading “Celebrating Buchi Emecheta x #WhyBuchi Competition”
If you’re looking for a weekend filled with rich and intellectual debate and discussion on feminism, an exhibition of black women excellence and vibing to good music then you need to be at ourselves + others: african feminist re-CREATIONS at SOAS this Saturday! And as you guessed, Afrikult. will be there delivering a workshop on nego-feminism and Momtaza Mehri’s poetry with time to write a creative response to material presented. Sign up via email@example.com.
Chiziterem Ndukwe-Nwoke is a 23 years old Nigerian writer, literary entrepreneur, and a graduate of Petroleum Engineering from Federal University of Technology, Owerri, Nigeria. He is the founder of Route Africa, a non-profit non-governmental organization that gathers a collective of student writers whose primary goal is to empower each other and contribute to Africa’s literary scene worldwide.
‘In Creative Fiction, We See What Others Don’t’ – Lawrence Amaeshi
Lawrence Amaeshi is presently a student of Novel Writing in Stanford University, USA and in this conversation we try to explore in-depth the ideas behind the story, the structure and his style of writing.
In this book that could be described as many things but best regarded as a crime thriller, Bruce Telema, a young man who has recently lost his job and now works selling technical filter replacement kits to oil companies based in the Niger Delta, is approached by Steve, a representative of a high calibre network of oil criminals, skilled in the siphoning of oil from government pipelines using armed militants and selling the stolen oil to ‘the highest bidder’ in the international market. Bruce is offered the opportunity of representing the interests of this organization based in London – he is to be their point man, with the responsibility of travelling to the Niger Delta creeks to negotiate for oil from militants, villagers who have scooped oil from burst pipes, various local illegal refineries, and helping the network deliver these products to their clients. Bruce Telema is promised ‘wealth beyond his wildest imagination’ and yes, he gets into this business and soon begins to make lots of money, living an exotic ‘fast life’. However, soon rival militant groups, security operatives and even his own network place a price tag on his head.
I am reminded of six years ago. I had just flown into Johannesburg from Kampala. I was in Johannesburg to do a screen test for a TV series about Botswana. Before the screen test was over I had already landed one of the lead roles. Of course I was elated, mostly because even though I was enjoying an award-winning acting career on-Broadway and off-Broadway in New York City, I still had the firm desire to do something at home. A week later I was in Gaborone, script in hand, and ready to film. Then an email from the series producers popped up on my phone saying that after “much careful thought and consideration” I had been dropped from the production for “not looking African enough.” The news was more infuriating than disappointing. I found myself wishing they had told me that I had been dropped because I had not been a good enough actor during the screen tests, or that I was asking for too much money. But to say that I did not fulfil some British self-styled Africanist director’s zoological notion of what an African looks like was to abuse even my ancestors. I tell you, Upright African, you and I must write and perform many-many stories about the Africa we know where my perfect teeth are not remarkable.
We are ecstatic to share our newest addition to the Afrikult. team: Uviwe Ntsaluba and Keren Lasme! Both Uviwe and Keren have joined us in overseeing Afrikult.’s website and social media – and we are thrilled to welcome them on-board.