Translation is a mammoth but necessary task. Oftentimes the translator, who also acts as the mediator between the text and it’s designated readers, brings his or her own understanding to the original text being translated. Though a growing feature within African literature, it is less still talked about. Afrikult. caught up with Dr. Ida Hadjivayanis in 2016 to discuss her Kiswahili translation Alisi Ndani ya Nchi ya Ajabu, of Alice In Wonderland written by Lewis Carroll. Continue reading “Interview with Dr. Ida Hadjivayanis on Kiswahili Translation”
Upon winning the 2015 Etisalat prize for literature, for his novel Tram 83, Fiston Mwanza Mujila has been on the lips of many literary pundits and enthusiasts as a rising star. As we impatiently await the announcement of the Man Booker Prize shortlist 2016, many speculate whether the name Fiston Mwanza Mujila will once again emerge out of the judges’ hat. In spite of this, it is best to remind ourselves that it is not so much the prizes that defines a good piece of literature, but the originality of form and ingenuity. In Tram 83, the writer works into his novel the rhythm of jazz and soul, with tenors of thrilling fast pace Afro beat like action, sketching a captivating portrait of the human landscape. In the words of the famous novelist Alain Mabanckou, “When I turned the last page, I exclaimed: This is a masterpiece!”
A. How did you first get into translation?
A.N.S Translation never really existed for me until I had to make a living; I dropped out of secondary school at fifteen, then spent my early twenties in and out of universities until I started to work as a literary translator, and I’ve been doing that ever since. Three or four novels a year. Yet before all that, I simply read books in the languages I was fluent in and I didn’t think it worth considering whether a text had to be read in its original language or not. Continue reading “Interview on Translation with André Naffis-Sahely”